吳柏樑擅以媒體廣告、攝影及錄像創作。作品中，看著爸媽年輕時代就有的跑車王子，面對雞排灰姑娘故事，灑狗血的戲劇對白、螢幕裡主角們的感情糾葛，就好像真實地在現實世界裡發生，透過情節的搬演，道出了大眾在平凡的生活裡尋求刺激與變動的渴望，一種無事生波的期待。吳柏樑巧妙地透過剪輯，重現台灣七○年代的社會情境，再配上這個世代快節奏的流行音樂，一切的情感吶喊，看起來都顯得荒謬爆笑，利用衝突錯置點出台灣社會的潛藏性格。同時，恰 與台北火車站每天上演的真實人生的悲喜劇，形成一個戲裡戲外的相互投射。
Wu Bo-Liang is adept at advertisements, photography and video art work. In this piece, he looks at dramatic dialogue from films of when his parents were young. The emotional connections between the main characters on the screen are almost as if they occur in the real world. Through plot progression, these works meet people’s desire for excitement and change in their own ordinary lives. Wu cleverly uses editing to re-show 1970’s society in Taiwan which he matches with fast paced music from today. The result is emotional scenes that are absurd and funny as he uses conflict and dislocation to identify the hidden character of Taiwanese society. At the same time, the drama of real life played out every day at Taipei train station creates its own art imitating life, life imitating art projection.
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