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音場 Field

  A1 葉怡利│A2吳燦政│A3黃蘭雅
A4-1陳怡潔│A4-2Akinori Oishi
A4-3徐揚聰│A5鄭秀如│A6任大賢
 

B1蘇孟鴻│B2Mella Jaarsma
B3常陵 │B4 吳達坤
B5Susan Kendzulak│B6侯怡亭
B7邱昭財│B8 吳鼎武•瓦歷斯
B9幾米│B10 麻粒試驗所
B11River Kuo
B12Takahiko Suzuki
B13黃子欽
B14: phunk studio

  C1-1曾雍甯│C1-2張耿華、張耿豪
C1-3楊春森│C1-4黃蘭雅
C1-5吳燦政│C1-6曾偉豪
C2許唐瑋│C3眼球先生│C4林柏丞
C5王九思│C6黃裕智│C7 游文富
C8李明道│C9洪易│C10黃沛瀅
C11楊春森
  D1Nicola Costantino│D2蔡芷芬
D3 林柏丞│D4蕭筑方│D5許家瑜
D6 林昆穎│D7林建榮│D8-1盧憲孚
D8-2Art,Always Open
 

E1蘇匯宇│E2崔廣宇 E3 葉怡利
E4黃博志│E5Nezaket Ekici
E6在地實驗│E7吳柏樑

  F1洪易│F2曾雍甯│ F3徐揚聰
F4 眼球先生

作者 : 曾偉豪 Artist: Tseng Wei-Hao
材質 : 聲音裝置綜合媒材 Media: Sound Media

曾偉豪轉換電流同性相吸原理,應用於人體 vs. 物品/物品 vs. 物品/人體 vs. 人體的相觸,並且透過電流的牽引產生了聲音。在製造聲音的過程中,意念相互交流後所遺留的痕跡,常轉化成各種不同的具體形式,例如聽覺與觸覺。本作品以樹林為意象,而「場 Field 」也有原野之意,意指一種能量的影響範圍,藉由聲音結合「場 Field 」的概念,將互動影響的範圍具體化,讓觀眾切身感受整個空間中聲音的互動過程。

Tseng Wei-Hao makes use of the principal that like charges attract and opposites repel, applying it to interactions between human bodies/objects, objects/objects, bodies/bodies and through electric traction creates sound. As part of the process of producing sound, the marks left behind after the exchange of ideas are often transformed into different physical forms, such as hearing and touch. The piece focuses on a forest and the title “Field” also refers to agricultural fields, hinting at the scope and influence of energy. With the combination of sound and the idea of a “Field,” their concrete mutual interaction allows visitors to experience interactive sound in space on a personal level.


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