鄭秀如將個人對於盒狀物體的喜好與 CAMPER 鞋店空間中的鞋盒元素做了趣味性結合， 一堆盒子放在一起，就像把空間這個大盒子分成許多小盒子， 藉由空間想像力與視點移動的變化帶給觀者不同的視覺體驗，以黑色的線條依著牆面及描繪出盒子、鞋子等物品的輪廓線，將「二度空間」的表現形式介入「三度空間」的存在當中，觀看時因身體與視覺角度的移動，使物件在其中產生聚焦與變形的轉化 。
Cheng Hsiu-Ju makes an interesting link between her appetite of box-like objects and the shoe boxes in the space of a CAMPER shoe store. A pile of boxes gives the impression that the box-like shape of the store is divided into many smaller boxes. This imagination and change of vision provide viewers with different visual experiences. Black lines on the surface of the wall depict the outlines of boxes, shoes, etc, inserting a “two dimensional expressive form” into a “three dimensional” existence. When viewed, the movement in body and angle gives the objects both focus and distortion.
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