黃致陽創作的本質來自於對原生力量的探索與想像，從微觀世界找到游移的方法和理由。進入畫作有如進入了原始叢林的藤蔓雜生一般，蔓延延伸的藤蔓盤據整個畫面，一道又一道的藤蔓盤旋占據我們眼前的視線，築成了一道牆，以水墨為基底加入了色彩的揮灑與堆疊，線性的線條變得模糊、朦朧、曖昧不清。在迷途的叢林之中，空間騷動而不安，在這原始的想像森林中遊走，彷彿難以看到前方的遠景與未來。藝術家帶著我們面對對於未來的不安和不確定，在空間焦慮與戒慎恐懼之中，誠實的面對自己。

The essence of Huang Chih-yang’s creative work comes from his exploration of and imaginings about primal power, finding methods and reasons for movement in the microscopic world. Immersing oneself in one of his paintings is like being in a primitive jungle, the scene enveloped in vines, filling our line of sight, forming a tightly woven wall. Taking ink art as his base Huang adds layers of color and his linear lines become unclear, obscure and ambiguous. Lost in the jungle, the space is alive and creates a powerful sense of unease, so that strolling through this imaginary primitive forest it is like being unable to see what is in front of one or the future. The artist makes us face our unease and uncertainty about the future, he makes us honestly face ourselves in an environment of spatial anxiety and fear.