《有機之靈》以鋼鐵廢料回收創作，經由不斷檢視素材、拼湊形體的過程，作品成為身體活動的結果；而材料也因此得以跨越毀損與廢棄的終結，無盡延長其生命存在的狀態。

鋼鐵雕塑藝術家張子隆常思考二十一世紀的作品應是溫心的，並且讓觀者能夠近距欣賞、觸摸感受材質、甚至可以進入作品內部，體會「負空間」的奧妙。以此概念，他利用長條方材與圓鐵條架構出這件大型有機造形的作品，讓它在無邊廓的空間中與大地結合，與藍天白雲為伍，藉以營造出空間場域的魄力；而抽象的自由形體，也包容著觀眾不同角度的詮釋與想像，無限延伸著作品的生命寬廣。

富邦人壽大樓的戶外廣場，一直是個充滿魅力的舞台，從1999年開始，相繼邀請多位國內外當代藝術家輪番上陣，透過這處可親的廣場，讓藝術與民眾近距離對話；像似一個臨時藝術遊樂場，拉近人與人的關係，也舒活了緊繃的都市神經。

Made of recycled steel, Organic Spirit is the result of a careful process of material selection and assembly. The work is the product of bodily movement and also represents a rebirth for old materials whose life may be extended indefinitely.
Steel sculptor Chang Tzu-Long believes that art in the 21st century should let the viewers enjoy heart-warming works at close range, and even feel them with their own hands. Viewers are invited to go inside the installation and experience the wonders of negative space. With that in mind, Chang builds a huge organic installment with long rods and lets it sit in open space against the backdrop of the sky to blend with its surroundings. An object in random abstract form sparks different interpretations and imagination in viewers’ eyes, and a new world where creative fantasies wait to take flight.

The plaza outside the Fubon Life Building has been popular since 1999, when it first became a platform for local artists and those from abroad invited to showcase their modern art works. An approachable plaza is ideal for enabling interaction between art and people. The place resembles a temporary playground that pulls people closer together and eases the stress in life.