藝術家用超過三千隻五色的電子手錶編成一張巨型地毯，取名《我永不消失，因我的身影長存》。

亙古至今，地毯都是游牧民族生活中不可或缺的一部分。除了提供保護，更是家庭的象徵—因為它劃出了住家與野外之間的分界，為家裡增添舒適與美觀。即使與生活緊密不可分，地毯的存在卻時常被忽略—這種不自覺的忘性，就好像我們對待時間的流逝:每天每夜，不管是抽象的時間或是具體的地毯，我們似乎都沒有認真放在心上。

藉由手錶象徵時間，《我永不消失，因我的身影長存》創造「地毯」與「時間」的巧妙對照。除了這一層象徵，大量生產的塑膠手錶更隱喻了矛盾:廉價的拋棄式消耗品，如今卻被翻轉成保久常存的藝術品。

展覽開跑時，這些電子錶全依本地時間設定，整點報時。然而隨著時間流逝，手錶對時逐漸失去準度，原本同步的報時聲響，開始暴露落差，響鈴此起彼落甚至達數分鐘之遙，形成一場混亂卻成節奏的數位交響曲。

作品將人類對於時光飛逝的莫可奈何，轉換成聽得見的聲響，突顯我們對荒蕪歲月的默認。

Over 3000 digital watches in five different colors are woven together to form a large carpet entitled I will never disappear/ for forever I’ll be here.

Historically carpets have been an integral part of nomadic life. Therefore the carpet does not only physically protect and ease, it also signifies the home, differentiating the home from the wild.

For centuries it has alsol been an element of domestic life, bringing comfort and decoration in the home. Carpets are often overlooked in the house but are at the same time intimate objects we live with in our daily lives. It is a habit similar to the way we relate to the continuation of time; we tend to ignore it although it plays a major role in our daily existence.

I will never disappear/ for forever I’ll be here juxtaposes the carpet as an everyday object with the measure of time that is represented by the contemporary mass-produced watches. The watches are designed as inexpensive disposable consumer products but used to form a durable artwork.

At the beginning of the exhibition the digital watches are all set to the local time and to beep simultaneously every hour. But soon thereafter the watches loose their synchronicity. The once punctual announcements of time become stretched over several minutes, resulting in a chaotic and at times rhythmic digital symphony.
The work makes our inability to control time audible and accentuates our awareness of the relentless continuation of time.