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藍色噴泉 Fountain 2004

  A1 葉怡利A2吳燦政A3黃蘭雅
A4-1陳怡潔A4-2Akinori Oishi
A4-3徐揚聰A5鄭秀如A6任大賢
 

B1蘇孟鴻B2Mella Jaarsma
B3常陵 B4 吳達坤
B5Susan KendzulakB6侯怡亭
B7邱昭財B8 吳鼎武•瓦歷斯
B9幾米B10 麻粒試驗所
B11River Kuo
B12Takahiko Suzuki
B13黃子欽
B14: phunk studio

  C1-1曾雍甯C1-2張耿華、張耿豪
C1-3楊春森C1-4黃蘭雅
C1-5吳燦政C1-6曾偉豪
C2許唐瑋C3眼球先生C4林柏丞
C5王九思C6黃裕智C7 游文富
C8李明道C9洪易C10黃沛瀅
C11楊春森
  D1Nicola CostantinoD2蔡芷芬
D3 林柏丞D4蕭筑方D5許家瑜
D6 林昆穎D7林建榮D8-1盧憲孚
D8-2Art,Always Open
 

E1蘇匯宇E2崔廣宇 E3 葉怡利
E4黃博志E5Nezaket Ekici
E6在地實驗E7吳柏樑

  F1洪易F2曾雍甯F3徐揚聰
F4 眼球先生

作者:娜扎克特.艾克琪 / 土耳其 Artist: Nezaket Ekici/Turkey
材質:錄像作品 Media: Video

土耳其出生的娜扎克特.艾克琪,自幼移居德國。她的創作類型廣泛,包括了行為藝術、裝置與錄像,其中以行為藝術作為最主要的概念表達,從貼身的生活經驗出發,將身體轉化為實踐的媒介,來傳達她所擅長文化議題。作品中由 藝術家親自扮演一件雕塑,身著一件以六十個裝滿水的透明水袋製成的洋裝,用袋口的活栓控制水噴出的速度及方向,隨著水的流洩,水袋後的女性胴體隱隱若現,與表徵著男性的噴泉行為,形成越發清晰的對比反照,突顯出藝術家藉由服裝這種文化符號所表達出的「男女大不同」議題。


Nezaket Ekici was born in Turkey and moved to Germany when she was young. Her work has covered a great many genres, including performance, installation and video art, even though performance art has invariably provided the central conceptual expressive framework. She starts out from life experience, transforming her own body into a medium for realizing acts and conveying the cultural issues with which she is most familiar. In this piece, Ekici plays the role of a sculpture, wearing a dress made out of 60 transparent bags filled with water. A valve in the pocket controls the speed and direction of the spurting water and as it drains away, the female form behind the bags gradually becomes discernible. This symbolizes that fountain-type behavior of men and forms a clear contrast, highlighting the artist’s use of the issue of “gender differences” as expressed in the culture of fashion.
台北美麗華館外
敬業三路 20 號館外
Miramar Entertainment Park –outdoor(No.20, Jingye 3rd Rd.)