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花非花/ 行雲流水 Transform
  A1 葉怡利A2吳燦政A3黃蘭雅
A4-1陳怡潔A4-2Akinori Oishi
A4-3徐揚聰A5鄭秀如A6任大賢
 

B1蘇孟鴻B2Mella Jaarsma
B3常陵 B4 吳達坤
B5Susan KendzulakB6侯怡亭
B7邱昭財B8 吳鼎武•瓦歷斯
B9幾米B10 麻粒試驗所
B11River Kuo
B12Takahiko Suzuki
B13黃子欽
B14: phunk studio

  C1-1曾雍甯C1-2張耿華、張耿豪
C1-3楊春森C1-4黃蘭雅
C1-5吳燦政C1-6曾偉豪
C2許唐瑋C3眼球先生C4林柏丞
C5王九思C6黃裕智C7 游文富
C8李明道C9洪易C10黃沛瀅
C11楊春森
  D1Nicola CostantinoD2蔡芷芬
D3 林柏丞D4蕭筑方D5許家瑜
D6 林昆穎D7林建榮D8-1盧憲孚
D8-2Art,Always Open
 

E1蘇匯宇E2崔廣宇 E3 葉怡利
E4黃博志E5Nezaket Ekici
E6在地實驗E7吳柏樑

  F1洪易F2曾雍甯F3徐揚聰
F4 眼球先生

作者:徐揚聰 Artist: Hsu Yang- Cong
材質:塑膠 Material: Plastic

↑富邦金融大樓
←富邦內湖
徐揚聰藉由回復初始手工的人性表達,用簡單的工具與繁複的手工,將一般人所熟知的廉價塑膠製品─如菜藍、座椅、碗籠 等 ,重組切割為抽象唯美的立體雕塑,反應出對物質文明中大量製造、快速拋棄的消費麻痺。作品融合燈光效果,營造出色型繽紛如萬花筒的空間場域,呈現心靈流通的環境氛圍,不但打斷人們生活中慣有的物質意義,也反思當代消費文化品味與美感塑造的另一層議題。
Hsu Yang-Cong returns to the humanistic expression of early handicraft work using simple tools and complex handicraft techniques. He reassembles inexpensive plastic objects we all recognize such as baskets, chairs, and bowls, into abstract three dimensional sculptures. This act is intended to reflect the mass production, rapid disposal, and consumer apathy of the materialistic culture. This work combines light effects, creating an area filled with a kaleidoscope of color. It also showcases a spiritual flow that not only breaks from the materialism of people’s lives but also reflects on subjects such as the creation of taste and aesthetics in modern consumer culture.
A4-3
富邦金融大樓
仁愛路4段169 號
No.169, Sec. 4, Ren-ai Rd.
02-2325-5300

F3
富邦內湖
內湖瑞湖街 62 號
No.62, Rueihu St., Neihu District