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音場 Field

  A1 葉怡利A2吳燦政A3黃蘭雅
A4-1陳怡潔A4-2Akinori Oishi
A4-3徐揚聰A5鄭秀如A6任大賢
 

B1蘇孟鴻B2Mella Jaarsma
B3常陵 B4 吳達坤
B5Susan KendzulakB6侯怡亭
B7邱昭財B8 吳鼎武•瓦歷斯
B9幾米B10 麻粒試驗所
B11River Kuo
B12Takahiko Suzuki
B13黃子欽
B14: phunk studio

  C1-1曾雍甯C1-2張耿華、張耿豪
C1-3楊春森C1-4黃蘭雅
C1-5吳燦政C1-6曾偉豪
C2許唐瑋C3眼球先生C4林柏丞
C5王九思C6黃裕智C7 游文富
C8李明道C9洪易C10黃沛瀅
C11楊春森
  D1Nicola CostantinoD2蔡芷芬
D3 林柏丞D4蕭筑方D5許家瑜
D6 林昆穎D7林建榮D8-1盧憲孚
D8-2Art,Always Open
 

E1蘇匯宇E2崔廣宇 E3 葉怡利
E4黃博志E5Nezaket Ekici
E6在地實驗E7吳柏樑

  F1洪易F2曾雍甯F3徐揚聰
F4 眼球先生

作者 : 曾偉豪 Artist: Tseng Wei-Hao
材質 : 聲音裝置綜合媒材 Media: Sound Media

曾偉豪轉換電流同性相吸原理,應用於人體 vs. 物品/物品 vs. 物品/人體 vs. 人體的相觸,並且透過電流的牽引產生了聲音。在製造聲音的過程中,意念相互交流後所遺留的痕跡,常轉化成各種不同的具體形式,例如聽覺與觸覺。本作品以樹林為意象,而「場 Field 」也有原野之意,意指一種能量的影響範圍,藉由聲音結合「場 Field 」的概念,將互動影響的範圍具體化,讓觀眾切身感受整個空間中聲音的互動過程。

Tseng Wei-Hao makes use of the principal that like charges attract and opposites repel, applying it to interactions between human bodies/objects, objects/objects, bodies/bodies and through electric traction creates sound. As part of the process of producing sound, the marks left behind after the exchange of ideas are often transformed into different physical forms, such as hearing and touch. The piece focuses on a forest and the title “Field” also refers to agricultural fields, hinting at the scope and influence of energy. With the combination of sound and the idea of a “Field,” their concrete mutual interaction allows visitors to experience interactive sound in space on a personal level.


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