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G 趴 紙娃娃 Paper Doll

  A1 葉怡利A2吳燦政A3黃蘭雅
A4-1陳怡潔A4-2Akinori Oishi
A4-3徐揚聰A5鄭秀如A6任大賢
 

B1蘇孟鴻B2Mella Jaarsma
B3常陵 B4 吳達坤
B5Susan KendzulakB6侯怡亭
B7邱昭財B8 吳鼎武•瓦歷斯
B9幾米B10 麻粒試驗所
B11River Kuo
B12Takahiko Suzuki
B13黃子欽
B14: phunk studio

  C1-1曾雍甯C1-2張耿華、張耿豪
C1-3楊春森C1-4黃蘭雅
C1-5吳燦政C1-6曾偉豪
C2許唐瑋C3眼球先生C4林柏丞
C5王九思C6黃裕智C7 游文富
C8李明道C9洪易C10黃沛瀅
C11楊春森
  D1Nicola CostantinoD2蔡芷芬
D3 林柏丞D4蕭筑方D5許家瑜
D6 林昆穎D7林建榮D8-1盧憲孚
D8-2Art,Always Open
 

E1蘇匯宇E2崔廣宇 E3 葉怡利
E4黃博志E5Nezaket Ekici
E6在地實驗E7吳柏樑

  F1洪易F2曾雍甯F3徐揚聰
F4 眼球先生

作者:林柏丞 Artist: Ling Po-Cheng
材質:複合媒材 Media: Mixed Media

紙娃娃的發明,滿足人們對於美好事物的任意配置與掌控的快感,以及表述出主體權力意識的擴張。如果紙娃娃不再是俊男美女、不再身材姣好、線條分明,而是赤裸裸的呈現出真實體態;他們可能是你的朋友、和你擦肩而過的路人或者就是自己時,你將如何看待這些失去表象修飾且毫不遮掩的玩偶?又如何面對自己對於他人價值的掌控慾望呢?藝術家讓穿梭 Pixie 公仔店內的觀眾在與作品互動的過程中,與店內公仔、作品產生一種大 / 小、真實 / 虛擬的對比,並用以陳述自我於當前社會狀態下身份價值的認同以及權力慾望的無形外顯與內化。

The invention of the paper doll satisfies the desire for people to do what they want with beautiful objects, while expressing the expansion of self-consciousness. If papers dolls were not depictions of perfect people or didn’t have perfect figures and clear lines, but were instead completely naked ,when they could be a, a friend,a stranger, or even ourselves, how would we look at them? How would we view our own desire to control the value of others? As part of the process by which the artist allows customers at Pixie figurine store to interact with the piece, a contrast is established between - a large/small, real/virtual dichotomy - between the figures in the store and the piece. This is then used to describe an acceptance of our own value in today’s society, the intangible external expression and internal desire for power.


Pixie
大安路一段 51 巷 44 號 1 樓
1F .,No.44, Lane 51, Sec. 1, Da-an Rd.
02-27118289