日本女性攝影師蜷川實花，跨足攝影、製片、電影、時尚等領域，她的作品辨識度極高，鮮豔飽和的色彩佈滿畫面，在大膽甜美豔麗的影像背後透露著一絲絲詭譎的氣氛，這股詭譎來自於作品中不真實的華麗感。

蜷川實花對於色彩非常敏銳，她從有意識而確實的近距離對焦中，找尋最飽滿的畫面，一場絢爛繽紛的嘉年華正在上演：斑斕的色彩滿溢出來，燦爛狂放熱情豔麗的花朵正盛開著，原本在湛藍的水中悠游的鮮豔金魚游進了城市裡。她將台北101抹上艷麗飽滿的色彩，盛開的花朵與悠遊的金魚讓城市顯得更加豐富、溫暖而燦爛。

This is a set of fragmented works. an almost transparent work - tranquil, colorless and odorless. The creation exhibits the real face of the materials; the non-contradictory handling of objects and space shows the work in an almost invisible form. The design of the object extends the idea of fragmentation. The unlimited change of fragments explores the complexity of self-hidden side. It is also applicable for the exploration of the truth of external things and objects.

This almost invisible work is more than mere artwork, it is also the brand strategy created by the American image designing company, DDG. Creative design service is a compulsory learning path for all high-end operators.