「想傳遞一種感謝,一種敬意,向那些全心為流浪動物付出的暖心勇士們。

這是一個發聲的工具,要手腦並用,才能重現隱藏的沈默的致敬。
這是一個遊戲,企圖透過滑動與傳遞,使字句產生意義。
這是一面鏡,反射渴望被看見的,也藏匿觀者未意識的。」

關懷流浪動物並不必然是悲傷、沈重、肅穆或哀憐,當渴望付出的飼主終於遇見契合的那一伴,展開的是1+1>2的快樂生活、充滿大大小小的嬉耍時光。在這,透過遊戲的方式轉述著對於流浪動物的愛,移動的字塊間,可能存在看不見的影響力,是字塊對字塊的影響,也是人對人的影響。這些影響,能不能被看見?

「一塊兒嬉耍」是一個希望藉由操作者的變換,而讓意義被成立、文字被看見的實驗。不同的操作者擁有相異的主觀,透過操作者的變換(主觀的改變),期許看見大量詩文拼組的可能性,並且,在「主觀成詩」的過程中,將作品的意義傳遞出去。

A tool, as a voice, shouts hands and brain cooperate, brings puzzles together into gratefulness.
A game, as a form, allows pieces to be seen, words to be read.
A mirror, as a mirror, reflects a part that can be seen, conceals a part that can't be sensed.

Caring for stray animals does not always have to be sad, depressed, stern or pitiful. The moment the owner, who desperately desires to give love, meets the companion he/she seeks, they embark on a life of 1+1>2, which is filled with joy and fun.

Through the use of games, the artist conveys a love for stray animals. Invisible influences exist within the moving blocks. This is the influence of block on block, as well as people on people. Can the influence be seen?

This is an experiment that aims to allow meanings to be established and words to be seen through the switching of operators. Different operators possess similar or dissimilar subjective views. Through the change in the operator (change in subjective views), it is hoped to see the possibility of large volumes of poetry be pieced together and disseminate the meaning of the artwork in the process of “composing subjective views into poetry.”





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