一直以來,曾偉豪的創作著重於探討「聲音/空間/身體」的交互作用。蔓延而至、充滿展間的巨大聲音裝置、指尖與導電油墨的接觸、由身體作為介質所產生的互動雜訊──在這些元素之間,藝術家欲闡明除了視覺以外,還有另外一片等待我們去發掘的感官經驗,由此在「規格化控制的環境中找尋人的真實感受」。

此作品以導電油墨在玻璃畫上黑色線段,藝術家賦予其類似樹和喇叭的造型,而透過身體接觸黑色線段,經由身體的導電性差異製造出如鳥的叫聲,穿過玻璃可以看到外面風景,想像也隨著身體互動讓窗外風景與屋內作品結合在一起。

For a long time, Tseng Wei-Hao’s creations have focused on the exploration of the interactions among “sound/space/body.” As a result, the gigantic sound installation that occupies the entire exhibit room, the contact between the fingertip and conductive ink, the interactive chatter produced by using the body as a conducting medium, the artist attempts to emphasize that, apart from visual impression, there is another sensual experience waiting for us to explore, “to seek for people’s genuine feelings in a standardized, controlled environment.”

The artwork consists of painting black lines on the glass using conductive ink. The artist has endowed the lines with shapes of trees and horns. Through the body’s contact with the black lines, the difference in the body’s conductivity creates noises, such as chirping of birds. Through the glass, one can see the outside scenery and the imagination also bonds the outside scenery with the artwork in the house together through interaction with the body.





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