展覽作品 ● 導覽手冊下載回地圖

  • 藝術家 | 顧上翎
    Ei WADA
  • 作品 |
    • 異質日常感知、折了布、揉、折
      Hetero-perception Of Everyday、Paper Folding、Crumple by Hand、Fold
  • 媒材 | 瓷、陶、鐵、旋轉馬達
    Porcelain、Clay、Iron、and Motor
  • 展點 文創穿廊
    Cultural Corridor
  • 展點地址 菸廠路88號
    88, Yanchang Rd.
  • 開放時間 11:00-22:00 (Mon.-Sun.)

作品簡介

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日常生活裡所看見或所感覺到一切的事物,是否僅依存自身的經驗來判定事物的本身?

藝術家顧上翎藉由反轉陶瓷於視覺及感覺認知上的差異來進行思考。當眼前看見有如紙片輕薄的作品,首先是對於材質感上所產生的疑惑,然而當聽見經由物件碰撞所產生的輕微聲響,才了解事實上眼前所見的材質來源是陶瓷。在這過程裡,對於作品的認識是來自於碰撞之後所產生的改變,是一種視覺、聽覺引發感覺判定狀態的轉移。任何事物的真實除了存在於理性思考範疇外,同時也需要依循著身體感知來了解。

JAMEI CHEN品牌創辦人陳季敏認為,時裝設計最高的難度在於由簡淨的線條展現流暢的人體輪廓,讓服裝展現出每一個人獨有的表情。1999年品牌於大安路開設形象店,至今仍然是許多支持該品牌的好友們最多精彩回憶的發生處。

Is it our five senses that tell us whether something we see or feel is what it is?

Artist Shang-Ling Ku uses the forming of porcelain along with the discrepancy between our sense of vision and that of touch to contemplate this question. When we see an object as thin as paper, it is hard for us to believe that it can be made of porcelain. Yet, when we touch it and hear its clink, it becomes more convincing. In effect, we are getting to know an object through visual and auditory cues that trigger our sense of touch to determine what the object is made of. Thus, it is not enough to prove an object’s existence through rational justification; it is crucial to use our five senses to evaluate what is in front of us.

Designer Jamei Chen, the founder of the brand, recognizes that outlining each unique body with simple contours is one of fashion’s greatest challenges. The store opened in 1999, and has since been the site at which frequent customers and good friends create many wonderful memories