生活在這個幾乎凡事講求標準、規矩與遵守教條的世界，有時候似乎對於一絲錯誤都無法忍受，追求完美到墨守成規的境地。聲音裝置藝術家張永達提出質疑：「我們身為人，無法如機器般精準無誤，但難道機器又真的永遠不會產生錯誤嗎？」

作品《微顫–交響樂版》從錯誤美學的角度切入，以與常規相左的使用方式，播放經典優美的交響樂。透過磁帶裝置找尋「突破限制」的可能，利用失速與顫動來破壞交響樂的嚴謹與完美，挑戰人們的聆聽感官與制約。

新的時代掀起了新的美學。MISCHIEF在這股不可逆轉的巨風中勇往直前，掀起一陣嶄新的街頭文化。拼接人們對於自我風格的嚮往，MISCHIEF讓幾何民族圖案沉溺其中，也用手工毛線串起溫暖情感。這不屬於舊有潮流，也無關乎昂貴時尚，MISCHIEF所要引領的，是一股充滿心意和新意的穿衣遊戲。

In a world where there are rules for everything and standards to follow, life tolerates not even the slightest imperfection. Sound installation artist Chang Yung-Ta refuses to sit by the rules: “Even if we humans can never be as accurate as machines, who can say for sure that machines are fault-free?”

His work Trembling – Symphony version approaches mistakes from an aesthetics point of view. A customized tape player plays a classical symphony in a way that defies the norm. The magnetic tape is the artist’s quest for breakthroughs. The recurring fast forwards and rewinds, coupled with sporadic trembles, destroy the discipline and perfection of a symphony and challenge both our hearing and the rules.

In MISCHIEF, a shop that celebrates limitless creativity, humans begin their final quest to the Promised Land. The New Era has ushered in new aesthetics. In the meantime, we bravely sail against the tide of these irreversible trends. This will be a brand new street culture and playful way to dress. This is Mischief.