早期田園景象，在今日東區或許早已不復存在；然而在這塊土地上，有越來越多創意渴求、認真活在當下的人們，堅持著自我的生活態度，默默隱身於巷弄間，耕耘心中田土、逐步實現夢想─ Figure 21便是其一。對他們而言，生活質感與心靈沉澱是無可取代的堅持，透過一線一裁縫將不同旅人的故事縫進包包內，讓物品因為超越實用的存在意義而顯得更為獨特卓越。

如同這份堅持，在皮革功能性的存在之外，香港藝術家周榆茵試圖將慣常運用的媒材--皮革，轉化為生命風景之延伸，透過形體的變化，表徵種子的存在、發芽、形變、突破固有形體而後延伸出美麗的花蕊，就像是每個藝術創作與生命存在而後日漸豐美的歷程。

The early farmlands may not exist in today's East District anymore; however, on this land, there are more and more growing needs for creativity with people that live everyday to the fullest by staying firm behind their own attitude towards life. They dwell in the alleyways and cultivate the piece of land inside their hearts and attempt to reach their dreams step by step. Figure 21 is one of these dreamers. To them, quality in life and spiritual settlement can not be compromised, and stitch by stitch they piece together each traveler’s story into each bag. Each object surpasses its normal functionality and becomes ever more unique and marvelous.

With this kind of perseverance, by working beyond leather’s regular functionality, Hong Kong based artist, Chow Y.Y. April, tries to transform this standard medium, leather, into a continuation of life. Through metamorphosis with shapes, symbolic existence of seeds, sprouts, transformation, and break-though of the existing shapes into beautiful flowers, the progression is like each artistic creation that travels through the existence of life in a beautiful journey.